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The Advice Goddess: December 2017
Tuesday, 05 December 2017 00:44
Q: -- I’m a 35-year-old woman. I’m living with my boyfriend, who’s a freelance artist (talented but just getting started). We’ve been together for three years, and I am paying for pretty much everything. I don’t feel resentful. I feel like we’re a team and eventually his career will take off. However, my parents keep saying it’s a bad dynamic: I’m coddling him, and he’s taking advantage of me.

— Worried


A: Ideally, when one partner is the sole breadwinner, the other is the stay-at-home parent to more than two rambunctious goldfish. 

There’s a term in risk researcher and former derivatives trader Nassim Nicholas Taleb’s books — “skin in the game.” That’s what’s missing when, say, a hedge fund honcho advises you to make some big-bucks investment. If he’s guessed right, he’ll share in your profits. However, any losses are all yours — as in, you’ll find him up in his penthouse, not two cardboard boxes down from your new “home” on the corner. 

“Skin in the game” is also what’s missing from your boyfriend’s end of the relationship. You’re doing all of the work to keep the roof over the relationship. Your boyfriend’s doing none of the work but reaping 100 percent of the benefits. This isn’t to say relationships have to be exactly 50-50. But such a gross asymmetry in effort may be creating a breeding ground for laziness — setting your boyfriend up to go all Leisure Larry in both his work and the relationship. 

In fact, by making things so easy for him, you may be making it harder for him to succeed. Consider that you put in more effort when it’s a necessity — when you don’t have inherited wealth (or a 9-to-5-toiling girlfriend who allows you to live as if you do).

Also, the fact that you’re a woman who’s paying for everything may make this more of a problem. Women evolved to seek “providers,” and men coevolved to expect that — and to expect the best women to hold out for investment. Men’s self-worth is also driven by their ability to provide. So though many couples think they “should” be okay with a woman as the sole or primary moneymaker (because…equality!), it often leads to resentment in the woman and emasculation in the man. (Great if you like your sex without those boring erections.)  

Finally, consider whether you really aren’t okay with this Vincent van No Job arrangement but are going along with it because you think it’s the good-girlfriend thing to do. It’s okay — and probably good for your relationship -- to ask your boyfriend to put “skin in the game,” like by driving a bunch of runs on Uber to fork over for the electric bill. 

People value and feel more a part of something they have to work for — and not just by opening all the bills (with an artistic flourish!) before handing them over for the wage slave girlfriend to pay.

 

 

 

Wedding duress

I’ve been living with my high-school sweetheart (from 20 years ago) for two blissful years. However, he’s still married to his ex (though they’ve been separated for 10 years). Every dollar he has goes into the business he’s building or child support, so I’m paying all the bills. I want to get married and start a family, but beyond his not being divorced, he doesn’t want to marry again or have children…at this time. He says this could change in the future. 
— Clock’s Ticking 

 

 

You know you can count on him to “put a ring on it” -- when he sets his beer down without a coaster on your vintage lacquered Donghia side table. 

It actually isn’t surprising that you’ve managed to maintain hope -- even as your loverman stops just short of tackling you at weddings to keep you from catching the bouquet. Brain imaging studies by anthropologist Helen Fisher and her colleagues find that our love for another person is not merely a feeling. In fact, as she put it in a talk, love is “a motivation system; it’s a drive; it’s part of the reward system of the brain.” 

Fisher further explains in her book “Why We Love”: “When a reward is delayed, dopamine-producing cells in the brain increase their work, pumping out more of this natural stimulant to energize the brain, focus attention, and drive the pursuer to strive even harder to acquire a reward.” (Welcome to the factory where “Only him!” gets made.) 

In reality, there are probably a number of love-worthy aspiring Mr. Minivans out there. However, you’re blind to this because getting your boyfriend to hubby up (and daddy up) has become a goal, energizing the human motivational system and all of its neurochemical enablers. 

Psychologically, the more momentum you gain in pursuing something the less interest you have in exploring whether it even makes sense. Physiologically, surging dopamine and other neurochemicals basically become punks giving rational thought a beat-down so you can keep mindlessly chasing your goal. 

To drag rational thought into the mix, pause the misty mental footage of this guy someday “putting a ring on it” and put some numbers on your chances -- Vegas bookie-style. Things to factor: How likely is he to come around on the marriage thing? Babies? And if there’s a chance he’d agree to make some, how likely is it to happen before your ovaries put out the “Sorry, We’re Closed” sign?

Express the odds in percentages -- as in, “He’s X percent likely to do Y” -- basing your guesses on his prior behavior, values, etc. Lay out the percentages visually, by drawing a pie chart. This is helpful because we’re bad at understanding odds expressed in abstractions -- vague ideas like “He might marry me!” We’re better when the odds are represented in concrete ways -- ways we can pick up with one of our five senses.

That pie chart, for example, is a picture of how likely it is that the only way you two will ever have a baby is if some sleepless new parent drops by and accidentally leaves one of their triplets on your couch.  

 


How I met your smother 

My boyfriend recently ended things, saying he wasn’t ready to be tied down. His mother adores me and keeps calling and saying he loves me and to just be patient. Should I be talking to her at all? Is this normal behavior for a 32-year-old man’s mom?
 — Confused

Stalkers usually want to date you or chain you to a radiator in their basement, not force you to choose between the calla lilies and the “Winter Blessings” wedding centerpiece.

Though his mom’s busybodying is weirding you out, it’s actually an example of a common dynamic that evolutionary psychologists call “parent-offspring conflict.” Not surprisingly, parents and children often have competing interests. In fact, evolutionary biologist David Haig explains that parent-offspring conflict starts in the womb. For instance, moms-to-be sometimes get gestational diabetes when their little hog of a fetus puts out a hormone to mess with the mom’s blood glucose -- allowing him to suck up not only his share of nutrients but a bunch of his mother’s share, too. 

What’s in Mommy Meddlingest’s interest? A nice, emotionally stable woman, just the ticket to her becoming a grandma -- sooner rather than later -- and not just to newborns that bark. But what’s in Sonny Boy’s interest? Well, maybe an endless string of sexfriends. 

If his mom’s calls make you uncomfortable, set boundaries -- kindly! (Say you appreciate her efforts but prefer that she stop intervening.) Ironically, it’s parents keeping lovers apart that tends to bring them together (the “Romeo and Juliet effect”) -- as opposed to the tack his mom’s taking: Yes, someone’s rented the apartment directly across from yours, and they’re waving at you. Wait -- is that…?

(c.) 2017, Amy Alkon, all rights reserved. Got a problem? Write Amy Alkon, 171 Pier Ave, #280, Santa Monica, CA  90405, or e-mail This e-mail address is being protected from spambots. You need JavaScript enabled to view it (advicegoddess.com). Weekly radio show: blogtalkradio.com/amyalkon



 
Bossa nova salute pays fitting tribute to Jobim’s catalog
Tuesday, 05 December 2017 00:31
"Tall and tan and young and lovely,
The girl from Ipanema goes walking and
When she passes, each one she passes goes ‘ah’
 
“When she walks, she’s like a samba
That swings so cool and sways so gentle that
When she passes, each one she passes goes ‘ah’
 
“Oh, but I watch her so sadly
How can I tell her, ‘I love you?’
Yes, I would give my heart gladly
But each day, when she walks to the sea,
She looks straight ahead, not at me.....”
— “The Girl From Ipanema”

 

By JOHN NORTH
This e-mail address is being protected from spambots. You need JavaScript enabled to view it

BLACK MOUNTAIN — Song enterpreter and entertainer extraordinaire Paula Hanke and a cast of top area jazz musicians performed a stellar salute to the incomparable bossa nova musical catalog of Tom Jobim during a Nov. 17 concert at White Horse nightclub.

The two-set show, which lasted about two hours and drew more than 100 attendees, finished with “Chega de Saudade” — and the audience responded with a standing ovation and calls for an encore.

Predictably, the encore was “The Girl From Ipanema,” a worldwide hit in the mid-1960s that won a Grammy for Record of the Year in 1965. It was written in 1962,  with music by Antonio Carlos “Tom” Jobim and Portuguese lyrics by Vinicius de Moraes. 

“The Girl From Ipanema” was inspired by  a gorgeous, bikini-clad young girl who would saunter past Jobim and Moraes on her way to and from the beach each day. The duo noticed her from the window of a bar about a block from Ipanema beach, as they were eating, drinking and plotting out songs.

Some analysts have said that the song celebrates the essence of life and the Zen beauty of nature and love. 

Hanke and her bandmates performed an exquisite version of “The Girl From Ipanema” — and the crowd loved it, but their cover stuck largely to the original, including a performance time of 3 minutes (or so).

Given that “The Girl From Ipanema” is the best-known — and biggest-selling — bossa nova song in history, it would have been fitting — and interesting — if Hanke and company stretched it out, performing perhaps a 10-minute version, including some jams, playing it a little faster and a little slower, perhaps louder and then quieter ... and just generally treating it like a treasure worth exploring more deeply. 

However, that is just a small quibble with a show that truly felt — as a pre-show promotion stated, like “a timeless Brazilian musical breeze” drifting through the White Horse.

“In the late ‘50s and early ‘60s, a new sound from Brazil became an international sensation,” a concert promotion noted. “Simultaneously cool and passionate, bossa nova (literally ‘new trend’ in Rio slang) blended samba and jazz in a sophisticated, fresh style.

“Antonio Carolos Jobim became its most visible exponent when his ‘The Girl From Ipanema,’ as recorded by Astrud Gilberto and Stan Getz, became a huge hit. That song, and other Jobim compositions like ‘Agua de Beber,’ ‘Desafinado,’ ‘Corcovado’ and ‘Aguas de Marco (Waters of March)’ have become indispensable jazz standards.”

The beginning words of Jobim’s bossa nova classic “Corcovado” —  “Quiet nights of quiet stars, / quiet chords from my guitar” —  aptly summarize the beauty of the genre’s music and the lyrics.

Hanke performed the aforementioned songs, as well as several other lesser-known Jobim gems — included “Brigas Nunca Mais” and Retrato em Branco e Preto” —  and paid tribute to the vocalists that popularized them, including Gilberto, Elis Regina and Leila Pinheiro.

Hanke’s top-notch band included Michael Jefry Stevens on piano, Frank Southecorvo on tenor sax, Zack Page on bass and Ben Bjorlie on drums.

 



 


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